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Post by gouge on Jul 30, 2013 8:21:07 GMT -6
Hi,
I know this is probably a dumb question but none the less. I read on a lot of diy sites, that after changing opamps, a quick measure of the dc offset will allow a check to see if it's possible to remove coupling caps or not from a circuit.
so my question is.
with a Multi how does one measure the dc offset of an opamp while it is in circuit?
cheers.
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Post by jimwilliams on Jul 30, 2013 11:00:19 GMT -6
Set the meter to DC volts, 200 mv setting. Connect the black probe to ground. Place the red probe on the output pin of the opamp, pin's 1 and 7 for a dual, pin 6 for a single. Observe voltage and polarity.
If below 2~3 mv, usually it's safe to remove the el cap. If higher, observe polarity. Be sure the + pin on the cap is facing the positive DC and vice-versa.
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Post by svart on Jul 30, 2013 12:56:17 GMT -6
Don't forget to measure the voltage on the OTHER side of the cap as well. Caps are there to block DC offsets which, by definition, are currents.. So you might not measure much of anything on the source side but higher on the receiver side which would cause the opamp output drivers to attempt to drive the DC to zero if you took the cap out. While this might not end the life of the opamp, it'll slow the slew and possibly open up problems with distortion besides the obvious issues with heat. I've read where plenty of guys took caps out of signal paths and ended up with really hot electronics and/or stressed power systems, which can cause other issues with sluggish sounding audio due to poor PSU step responses and such. I suggest trying some high quality bipolar caps and seeing how you like them before you try removing the caps completely. I honestly believe the hype of "capacitor" sound is a little overblown, especially so once you get above a certain quality threshold.
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Post by gouge on Jul 30, 2013 22:37:30 GMT -6
thanks jim and svart.
this gives my a big help as now I can start to take some reading around the circuit rather than just through darts at a board.
what is your thoughts on coupling caps before pots. even if I measure low dc offset would you still be inclined to leave the caps in place to protect the pot.
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Post by svart on Jul 31, 2013 7:39:11 GMT -6
If the pot is rated for the current/voltage that it will see, then you should observe the rational life spec of the pot. If you DC block it, then it'll last longer. As for more general usage, DC across the pot will cause some amount of crackle when turning, with more current meaning more crackle. This may be acceptable if it's a pot for something you will not be adjusting while audio is going through it, but probably not acceptable if it's a main fader or something you'll be adjusting while mixing.
Also, something that isn't quite related to your question but is relevant to most discussions of upgrading audio electronics.. I find that just about any mid-level device out there will benefit from better power supply decoupling. I would actually investigate that before messing with the audio path itself. Decouple opamps with 100nF to ground from both the + and - pins and have 220uF within 2-3 inches of all opamps. Once you do that, then you are ready to play with the audio path.
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Post by jimwilliams on Jul 31, 2013 9:33:14 GMT -6
IME opamps handle DC just fine, many are designed for precision DC operation. They don't like exceeding the maximum specs. I come from the era of analog computing. Those used opamps to shove DC around. They were tube opamps back then, changed to SS in the mid/late 1960's. The IC's came out in '68 with the LM101.
If pots had a hard time with DC then all those dbx compressors would have failed many years ago. They still operate just fine today moving DC up and down. If you have more than a few millivolts of DC going across a pot, you will hear that as scratch. Using low bias current precision opamps will eliminate the bias current noise when turning a pot, fet opamps are the lowest.
Small amounts of DC can be delt with by a cap, a trimpot or a servo. Modern low offset, precision opamps eliminate the need for those older generation fixes. Yes, the sonics of an electrolytic cap are determental to quality audio. Those that have experienced a direct coupled, capacitor-free audio system already know this. A bipolar el cap is also no fix, it may block DC from both directions but you pay by running the signal through two back connected el caps, doubling the losses. Bipolar caps are not available in low impedance 105 degree formulations either. If you need to use one you are better off using two higher quality el caps wired back to back. 105 degree el caps will last longer as well.
Here are some opamps that will allow direct coupling in many circuits: LME49720/10 OPA1611/12 OPA1641/42/44 AD8597/99
Besides power rail decoupling, any feedback resistor above about 3k ohms will generate stray capacitance that will lead to ringing or oscillations. A small cap across the feedback resistor usually fixes that.
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Post by gouge on Jul 31, 2013 10:02:37 GMT -6
the lme is one I like the sound of and have used in a few bits of kit.
for the power decoupling. is it ok that the +ve & -ve 100nf caps go to the ground pin on the opamp? where does the 220uf cap go? one each on each rail? I'm not sure on that part.
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Post by svart on Jul 31, 2013 11:25:34 GMT -6
If any pin on the opamp goes to ground, then yes, you could use that as a ground point. Not every opamp has a pin that might go to ground though, as different circuits use the opamp differently. The 220uf go from each of the + and - rails to ground just like the 100nf. The 100nf typically are for supplying fast transient currents to the opamp and also "shorting" small signal rail noise to ground by forming a LPF. The larger 220uf caps are for bulk capacitance, which can help smooth out larger rail fluctuations and keep reserve current handy more closely to the parts that use it.
Yes, newer opamps can handle DC just fine, didn't mean to insinuate that they didn't, but they don't handle DC and audio at the same time very well, unless designed to do so. Also, thinking back to the craze a few years ago where people were doing strange things in attempt to bias class A/B opamps into class A operation (via active current sinks or simply resistors on the output) I remember reading much about overheating, burned up traces and power supplies due to the overall power consumption increase. Anyway, the general theory might work but in my own study, the increases in perceived audio detail were simply increased distortion, crossover and otherwise from the poor attempt at the opamp output driver to account for mismatched push-pull behavior.
It may very well be a matter of taste anyway. I tried a number of opamps over the years, but always felt the academically pure but clinically sterile super-fast opamps weren't putting wind in my sails. I fell back to the old standards and felt at home. Haven't bothered to spend money on that stuff again, now I just spend it on mics.
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Post by jimwilliams on Aug 1, 2013 10:12:30 GMT -6
I still do output biasing on selected opamps stages. Using a current source to 'turn off' one of the complimentry output devices does force the class A/B output stage into class A operation, up to about +6 dbu. Of course, the opamp selected must be able to drive that load as well as the signal load combined. Don't try this with a TL072 opamp. Tests on the Audio Precision analyzer show no increase in any form of THD with this technique and a capable device. Most folks like the effect, especially in critical stages like stereo sum opamps. Yes, the power supply must be capable but adding a couple of ma to the opamp isn't going to overheat anything nor burn up a signal trace. Older fast opamps had various THD problems. Those have been resolved with newer devices. Symetrical CAD design has lowered DC and AC errors to almost unmeasurable THD, some as low as -154dbu. Open loop gain is now around 90 db at 10k hz further lowering THD, especially in the upper octaves where older opamps ran out of loop gain. That is 50 db more OLG than an 072 opamp as an example. Any audio person with some chops and a wee bit of curiosity ought to check some of this stuff out, these arn't "your father's opamps". If you don't have the funds, get them sent to your door for free. Sign up at www.ti.comand www.analog.comand get some free opamps and try them out. You may be in for a suprize.
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Post by jazznoise on Aug 1, 2013 13:15:51 GMT -6
Hey Gouge.
As has been said, right tool for the right job. You want to avoid DC offset, you use an Op Amp with good DC precision. Putting DC on pots can be very scratchy, particularly on cheap pots where the brush contact isn't consistent. Nasty stuff - do not want.
The idea on the power filtering caps you mentioned is to remove as much noise as possible just before it hits the V+ and V- input of the Op Amp. Track resistance accumulates, and you want the AC impedance to favor your cap substantially more than the path to your V+ and V-.
Are we going to be continuing your thread on GS or here? That is, should I reply to the GS thread at all?
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Post by gouge on Aug 1, 2013 15:36:44 GMT -6
yeah reply to the GS thread,
i'm still looking at all of the options with that mod. I've got the components but want to feel I've made an appropriate choice prior to soldering. once i'm ready to go I think I'll change the schematic and move it here as a DIY mod thread.
p.s. welcome. :-)
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Post by jazznoise on Aug 1, 2013 16:29:56 GMT -6
Well it is best to measure twice, cut once. If you wanna remove the caps, go with Jim's recommendations. I've a few others I'll dump in the other thread. Might be a little outside the scope of what you're aiming to achieve. And thanks!
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Post by gouge on Aug 1, 2013 20:58:31 GMT -6
no problems,
trying to get my father to sort out the calcs for the ecc808 upgrade also. will add that if it works out.
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Post by gouge on Aug 1, 2013 21:00:33 GMT -6
with regards the decoupling caps. which polarity are they installed for each rail?
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Post by jazznoise on Aug 2, 2013 3:55:19 GMT -6
with regards the decoupling caps. which polarity are they installed for each rail? Negative goes to ground for V+, Positive side goes to ground for V-.
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Post by wiz on Aug 2, 2013 17:28:46 GMT -6
is DC offset a product of the BIAS resistors differences, the Interals of the op amp, or a comgination or none of the above?
The reason I ask, is I have a small DC offset at the output of a INA217 and its about 10mv and I can get rid of it with a OPA137, but if its a case of just better bias resistor matching I will go down that path first I think
cheers
Wiz
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Post by svart on Aug 5, 2013 8:52:37 GMT -6
Yes, technically the feedback resistors do create some DC offset, but only due to the opamp's input currents. In closed loop situations, any DC that results from offset currents becomes amplified and then fed back. The amount of gain set will determine a higher or lower amount of offset, as will the value of the resistors being used, with higher value resistors creating higher offsets. FET input opamps don't necessarily care too much due to the very low input currents.
Also, you have to remember that DC and AC gains are different, and can be adjusted independantly, and can fluctuate as the signals change as well.
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Post by wiz on Aug 5, 2013 15:51:28 GMT -6
Thank you
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