Post by jacobamerritt on Dec 17, 2023 13:10:41 GMT -6
Purchased brand new in January 2023. The original designer, the legendary Ted Fletcher, personally oversaw the build and retested it again personally in March 2023.
Used about 25 times total in a home project studio. Awesome studio workhorse.
Still has the original shipping packaging.
May be willing to include the snake cabling.
- Handmade in the UK
- OEP (Carnhill) Transformers on Mic/Line Pres
- Discrete Class A Baxandall EQs (Flexible sweepable mid band)
- Excellent transistor based Diode Limiters on stereo outputs
I'm willing to drive a few hours to drop this off for you as well.
>>Reverb Listing with Photos<<
More Details Here:
DESIGN
The original designers were Ted Fletcher, Eric Keene and Byron Davis, the technical directors of the Alice Company. The Mk3 is based on original design from 1976 together with 44 years of professional audio experience.
MIC AMP
The input amplifier has a transformer input for both mic and line input, with switchable phantom power with indicator LED.The circuitry is discrete transistor working in pure class A. Inputs are XLR for mic input and standard balanced 1/4″ jack for line.
Levels of -60dB and -20dB can be handled from mic and line.
EQ SECTION
The mono channel equaliser is a discrete class A version of the Baxandall EQ circuit with an EQ in/out switch and LED indicator. The mid frequency sweep covers 400Hz to 3.5KHz and the lift and cut is 14dB.
CHANNEL FADER and ROUTING
The channel fader is a 60mm ALPS precision fader driving a pair of aux controls (one pre and one post fader), a rotary pan control and a direct channel output which appears on the rear termination panel as a standard jack (unbalanced at nominal zero level).
A locking PFL switch routes pre-fader audio to the monitoring system.
STEREO CHANNEL
A pair of standard jack connections on the termination panel drive each stereo channel. The input gain control handled levels above -20dB and a version with RIAA input from magnetic cartridge is available via RCA connectors if specified.
The stereo fader is a precision ALPS fader and the channel has aux sends and PFL (mono) as the mono channel. The input gain of the stereo channel is adjustable over a wide range to accommodate all volume levels of inputs.
GROUP and LIMITERS
Mixing from the mono and stereo channels is passive, mixing to a pair of discrete transistor limiters of the classic 828 design.
Each limiter has an in/out button and an indicator LED to show activation. A further LED shows when the limiter is acting on the audio signal. Amount of limit action is set by threshold control.
Main output after the ALPS master faders, is via parallel integrated amplifiers and output transformers.
There are additional aux line inputs direct to the mix bus and line out amplifiers for the pre and post aux feeds from the channels.
Line outputs are via XLR connectors other outputs and inputs are by standard 1/4″ jacks.
MONITORING
All active circuitry in the signal path is discrete transistor using ‘through hole’ technology following the original circuitry of the Mk1, however, the monitor section has been converted to surface-mount technology.
Monitoring is to a stereo 1/4″ jack socket on the rear panel which is interrupted by both PFL and by a mute system, and also via a headphone 1/4″ jack socket on the front panel interrupted by PFL.
Dim, mono and polarity reverse affect both outputs. A further stereo aux monitor input and gain control override the monitor outputs.
Metering is by illuminated VU meters and PFL registers on both meters.
POWER
Unlike the original, the new Mk3 is mains powered via a switch-mode power supply operating from any mains voltage. This supply operates at very high efficiency producing almost no heat. (In fact, the lamps in the meter illumination consume the same amount of energy as the rest of the mixer!).
Used about 25 times total in a home project studio. Awesome studio workhorse.
Still has the original shipping packaging.
May be willing to include the snake cabling.
- Handmade in the UK
- OEP (Carnhill) Transformers on Mic/Line Pres
- Discrete Class A Baxandall EQs (Flexible sweepable mid band)
- Excellent transistor based Diode Limiters on stereo outputs
I'm willing to drive a few hours to drop this off for you as well.
>>Reverb Listing with Photos<<
More Details Here:
DESIGN
The original designers were Ted Fletcher, Eric Keene and Byron Davis, the technical directors of the Alice Company. The Mk3 is based on original design from 1976 together with 44 years of professional audio experience.
MIC AMP
The input amplifier has a transformer input for both mic and line input, with switchable phantom power with indicator LED.The circuitry is discrete transistor working in pure class A. Inputs are XLR for mic input and standard balanced 1/4″ jack for line.
Levels of -60dB and -20dB can be handled from mic and line.
EQ SECTION
The mono channel equaliser is a discrete class A version of the Baxandall EQ circuit with an EQ in/out switch and LED indicator. The mid frequency sweep covers 400Hz to 3.5KHz and the lift and cut is 14dB.
CHANNEL FADER and ROUTING
The channel fader is a 60mm ALPS precision fader driving a pair of aux controls (one pre and one post fader), a rotary pan control and a direct channel output which appears on the rear termination panel as a standard jack (unbalanced at nominal zero level).
A locking PFL switch routes pre-fader audio to the monitoring system.
STEREO CHANNEL
A pair of standard jack connections on the termination panel drive each stereo channel. The input gain control handled levels above -20dB and a version with RIAA input from magnetic cartridge is available via RCA connectors if specified.
The stereo fader is a precision ALPS fader and the channel has aux sends and PFL (mono) as the mono channel. The input gain of the stereo channel is adjustable over a wide range to accommodate all volume levels of inputs.
GROUP and LIMITERS
Mixing from the mono and stereo channels is passive, mixing to a pair of discrete transistor limiters of the classic 828 design.
Each limiter has an in/out button and an indicator LED to show activation. A further LED shows when the limiter is acting on the audio signal. Amount of limit action is set by threshold control.
Main output after the ALPS master faders, is via parallel integrated amplifiers and output transformers.
There are additional aux line inputs direct to the mix bus and line out amplifiers for the pre and post aux feeds from the channels.
Line outputs are via XLR connectors other outputs and inputs are by standard 1/4″ jacks.
MONITORING
All active circuitry in the signal path is discrete transistor using ‘through hole’ technology following the original circuitry of the Mk1, however, the monitor section has been converted to surface-mount technology.
Monitoring is to a stereo 1/4″ jack socket on the rear panel which is interrupted by both PFL and by a mute system, and also via a headphone 1/4″ jack socket on the front panel interrupted by PFL.
Dim, mono and polarity reverse affect both outputs. A further stereo aux monitor input and gain control override the monitor outputs.
Metering is by illuminated VU meters and PFL registers on both meters.
POWER
Unlike the original, the new Mk3 is mains powered via a switch-mode power supply operating from any mains voltage. This supply operates at very high efficiency producing almost no heat. (In fact, the lamps in the meter illumination consume the same amount of energy as the rest of the mixer!).
