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Post by tonycamphd on May 31, 2015 20:14:20 GMT -6
Anyone have a very high quality recommendation? I have no idea on these things
thanx in advance
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Post by Johnkenn on May 31, 2015 20:42:25 GMT -6
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Post by tyford on May 31, 2015 20:53:40 GMT -6
+1 Yep.. It's now just the Pure mini.. I have one in my D28s.
Here, it's running through a direct box. I think I was using a Groove Tubes Brick (now extinct) or a Red-eye Twin (http://www.fire-eye.com)
It does begin to quack a bit when used with a flat pick, but is great fingerstyle and even with a flat pick the quack is less than most I've heard.
Regards,
Ty Ford
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Post by b1 on May 31, 2015 21:13:30 GMT -6
I've used the Bill Lawrence FT145 since '74 and love it. They still make various newer FT145 versions, but the vintage ones can be found on eBay. It fits in the sound hole.
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Post by b1 on May 31, 2015 21:14:12 GMT -6
...magnetic
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Post by jimwilliams on Jun 1, 2015 9:32:10 GMT -6
I use a B-band here. It's a thin element, not a piezo but a condenser or pressure capacitor. It has no quack and sounds rather natural.
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Post by jeremygillespie on Jun 8, 2015 14:17:59 GMT -6
Pure Mini, feeding a Radial Tone Bone PZ-pre
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Post by Randge on Jun 9, 2015 0:04:06 GMT -6
K&K= Feedback maker to me...I use Cole Clark guitars that have a proprietary 2 pickup and mic combination that is nothing short of amazing on stage. I was able to get my CC acoustic louder than Fogerty's ever heard an acoustic guitar before... |
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Post by lolo on Jun 10, 2015 1:01:34 GMT -6
K&K= Feedback maker to me...I use Cole Clark guitars that have a proprietary 2 pickup and mic combination that is nothing short of amazing on stage. I was able to get my CC acoustic louder than Fogerty's ever heard an acoustic guitar before... I second the Cole Clark pickups. Fantastic stage guitars. I have a Cole Clark angel and that thing rocks for live use |
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