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Post by Johnkenn on Sept 26, 2013 11:54:59 GMT -6
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Post by IamJohnGalt on Sept 26, 2013 12:41:00 GMT -6
What a well thought out pitch. He clearly waited a while to send it, just like you wait a while to call a chick who gives you her number. While discussing dough, he slow played his hand and used reverse psychology...my guess is that worked out well for him. History shows he got exactly what he wanted....they did record at Pachyderm with him. Not saying all of it was not totally sincere, however, he said all the things that he knew they wanted to hear at that point in the bands career. Well played Albini. Cool find John...thanks.
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Post by scumbum on Sept 26, 2013 12:48:09 GMT -6
What a well thought out pitch. He clearly waited a while to send it, just like you wait a while to call a chick who gives you her number. While discussing dough, he slow played his hand and used reverse psychology...my guess is that worked out well for him. History shows he got exactly what he wanted....they did record at Pachyderm with him. Not saying all of it was not totally sincere, however, he said all the things that he knew they wanted to hear at that point in the bands career. Well played Albini. Cool find John...thanks. Yeah I agree . I rolled my eyes at a few of the things he said , Nirvana was the biggest band in the world at the time . He knew if he recorded them , he'd have calls for work for the rest of his life . And now hes know as the guy that recorded Nirvana .
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Post by jazznoise on Sept 26, 2013 14:15:23 GMT -6
Yeah I agree . I rolled my eyes at a few of the things he said , Nirvana was the biggest band in the world at the time . He knew if he recorded them , he'd have calls for work for the rest of his life . And now hes know as the guy that recorded Nirvana . To be fair before this he was also the guy who recorded The Jesus Lizard, Swans, Killdozer and a few other big names within the 80's punk season, and as a respected underground musician he had artist cred too. What he offered these bands is something most engineers couldn't - he liked this abrasive music. In a recent interview he was talking about how the rumours started before he agreed to do the remix, and that he had clients calling him asking where his rates going to change etc. etc. because he doesn't work with big buck artists most days. I like his philosophy. I try to work on a similar line when it's relevant. Sometimes it's not what the music or the artist calls for.
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Post by IamJohnGalt on Sept 26, 2013 21:12:02 GMT -6
I too like his philosophy and think hes the shit...my only point was that the letter was a well thought out pitch that served his career very well. We can all learn from it.
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Post by Deleted on Sept 26, 2013 21:59:43 GMT -6
I think In Utero is self indulgent, pretentious and OVERPRODUCED.
When people talk about Nevermind they talk songs, yes the production has been discussed numerous times on these forums but listeners discuss the songs.
When these same people talk about In Utero it's always about Steve Albini.
I think the best production is the one that puts the songs front and center, drawing no attention to the production. By this measure In Utero is overproduced.
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Post by jazznoise on Sept 27, 2013 4:10:46 GMT -6
I too like his philosophy and think hes the shit...my only point was that the letter was a well thought out pitch that served his career very well. We can all learn from it. It's an excellent sales pitch. For a band doing what they were, he couldn't have written anything better. I guess studying journalism might have perks. As for In Utero being pretentious, Jordan - seriously? Is this some sort of ironic Hardcore reference where any song more than 1:30 long with more than 3 chords is basically prog rock?
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Post by gouge on Sept 27, 2013 4:20:40 GMT -6
yep, agree jazznoise.
in utero is the one album that is anything but over produced. I love it for it. nevermind on the other hand.
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Post by cenafria on Sept 27, 2013 5:03:44 GMT -6
I'm surprised the letter is viewed as duplicitous. In my opinion, it expresses his modus operndi since he started working recording music. And, apparently, he went broke after this record. Check out this link. In the interview the man talks at length about the sessions and the new master. When I started going to studios to record as a musician, the thing I hated/feared most would be the engineer "steering" the record's sound away from what the band sounded like. I try every day to make records that reflect the bands criteria.
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Post by IamJohnGalt on Sept 27, 2013 7:42:07 GMT -6
I'm surprised the letter is viewed as duplicitous. In my opinion, it expresses his modus operndi since he started working recording music. I wouldn't say it was duplicitous at all. He was not trying to be deceptive. The letter does indeed "express his modus operandi" which was one purpose of the letter. Other purposes of the letter were: 1. To get the gig 2. To make the record at Pachyderm 3. To get a good price Mission accomplished on all fronts. There is nothing wrong with any of it. We all have to sell everyday and this letter is a great sell. It is, after all, the music "business".
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Post by Johnkenn on Sept 27, 2013 8:08:35 GMT -6
Yeah - I thought In Utero was fantastic...never really got into Nevermind. In Utero is punk as shit...
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Post by scumbum on Sept 27, 2013 9:10:34 GMT -6
I'm surprised the letter is viewed as duplicitous. In my opinion, it expresses his modus operndi since he started working recording music. And, apparently, he went broke after this record. Check out this link. In the interview the man talks at length about the sessions and the new master. When I started going to studios to record as a musician, the thing I hated/feared most would be the engineer "steering" the record's sound away from what the band sounded like. I try every day to make records that reflect the bands criteria. Cool , I'm gonna listen to that link ! I'm a big Nirvana fan . I like Nevermind the best . I think it had the best songs and I like the sound of it . The Neve board and Butch Vig engineering with Andy Wallace mixing !! If I made a pro record , those are the two guys I'd want to work on it . I understand what jordanvoth is saying . Its over produced in trying to be raw . They overproduced it , with the whole goal when going to record was FOCUS ON THE SOUND , it was very produced . Whereas Nevermind , they walked in the studio , and said lets record an album , without any focus on producing or getting a certain "sound" . All they cared about was the songs and performance , that was it . To me In Utero is good , I like all Nirvana's stuff , but I do get sick of everybody focusing on the "sound" and just listen to the songs . Nevermind was all about the songs and music , In Utero was about the music but also making an album to shake off the people they thought weren't real fans . Well if your not 100% focused on making the best music you can but have other goals , like trying to be trendy or in Nirvana's case trying not to be trendy , the music is gonna suffer to a degree and thats what I hear with In Utero . It could have been better if their main focus wasn't on trying to produce an album a certain way to scare off fans , but just focus on making the best music they could and not care about what other people think . So yeah I think its overproduced too . When you say In Utero EVERYBODY talks about the sound first , and then the music second . And to me it seems like that was Nirvana's mentality too .
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Post by cenafria on Sept 27, 2013 9:30:34 GMT -6
I'm surprised the letter is viewed as duplicitous. In my opinion, it expresses his modus operndi since he started working recording music. I wouldn't say it was duplicitous at all. He was not trying to be deceptive. The letter does indeed "express his modus operandi" which was one purpose of the letter. Other purposes of the letter were: 1. To get the gig 2. To make the record at Pachyderm 3. To get a good price Mission accomplished on all fronts. There is nothing wrong with any of it. We all have to sell everyday and this letter is a great sell. It is, after all, the music "business". Sorry, your analysis of the letter reminds me of Bill Hicks marketing bit ("Ah, Bill is going for the "angry" dollar..."). I honestly believe that he only wanted to make sure he wasn't getting into what was (and still is) the typical big budget recording scenario (drums recorded first to a click, one by one musicians replace their scratch tracks, etc...) as well as insuring he was working for the band, not the label or managers. I honestly don't think he wanted the gig otherwise. He also states he is willing to record practically anywhere. I don't recall the flat rate he was payed, I think it was mentioned in the Uncut or Mojo article (sorry can't remember where I read it) a few (ok, probably ten) years a go. But I would expect it to be less than others would have negotiated, specially when you take into account he wont take points. He has stated in several interviews that he went broke because of that record and how he was perceived differently by his clients. I've run a recording studio for twelve years. I don't really feel part of the "music business". Most people I deal with are motivated by music. Of course, we all pay rent and need to shop for groceries.
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Post by cenafria on Sept 27, 2013 9:38:15 GMT -6
I'm surprised the letter is viewed as duplicitous. In my opinion, it expresses his modus operndi since he started working recording music. And, apparently, he went broke after this record. Check out this link. In the interview the man talks at length about the sessions and the new master. When I started going to studios to record as a musician, the thing I hated/feared most would be the engineer "steering" the record's sound away from what the band sounded like. I try every day to make records that reflect the bands criteria. Cool , I'm gonna listen to that link ! I'm a big Nirvana fan . I like Nevermind the best . I think it had the best songs and I like the sound of it . The Neve board and Butch Vig engineering with Andy Wallace mixing !! If I made a pro record , those are the two guys I'd want to work on it . I understand what jordanvoth is saying . Its over produced in trying to be raw . They overproduced it , with the whole goal when going to record was FOCUS ON THE SOUND , it was very produced . Whereas Nevermind , they walked in the studio , and said lets record an album , without any focus on producing or getting a certain "sound" . All they cared about was the songs and performance , that was it . To me In Utero is good , I like all Nirvana's stuff , but I do get sick of everybody focusing on the "sound" and just listen to the songs . Nevermind was all about the songs and music , In Utero was about the music but also making an album to shake off the people they thought weren't real fans . Well if your not 100% focused on making the best music you can but have other goals , like trying to be trendy or in Nirvana's case trying not to be trendy , the music is gonna suffer to a degree and thats what I hear with In Utero . It could have been better if their main focus wasn't on trying to produce an album a certain way to scare off fans , but just focus on making the best music they could and not care about what other people think . So yeah I think its overproduced too . When you say In Utero EVERYBODY talks about the sound first , and then the music second . And to me it seems like that was Nirvana's mentality too . So In Utero is overproduced and Nevermind is straightforward... Hmm... ; )
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Post by jazznoise on Sept 27, 2013 10:06:10 GMT -6
Actually no one I know that doesn't consider themselves an Engineer/Producer/Whatever don't talk about the production. They think it's a really aggressive, harsh album. I don't think Kurt was adding a lot of noise to be edgy - in fact, I've heard that for Nevermind there was a lot of noise collage stuff done that was never put on the album. And we all remember the amazing hidden track at the end. I think saying there was no agenda behind Nevermind is extremely oversimplifying. In Utero is the one where we heard all the hype, interviews etc. etc. No one cared what they thought before Nevermind.
In Utero and Bleach share a lot more musically than either do with Nevermind. I think it's pretty self evident that in Kurt's vision of his music that Nevermind was the exception, not the rule. That and I think the samples on the Nevermind drums suck. Even when I was 11 I just thought the album was awesome and all the parts were cool but the drums sounded bad/weird.
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Post by scumbum on Sept 27, 2013 10:17:42 GMT -6
So In Utero is overproduced and Nevermind is straightforward... Hmm... ; ) Yep . Overproduced is not tons of compression , reverb and a ton of takes......... When you produce an album its making it sound a certain way and that can be trying to be raw too....the whole point is "trying" to get a certain sound . Nevermind had no set agenda . It was record great songs and put out an album . Thats all the band focused on , they didn't focus on the sound at all . They had no idea what it would sound like . In Utero had an agenda which surrounded the whole recording of the album , to produce it to sound a certain way , achieve a certain rough sound . Thats where the over production got in the way of the music . Their focus was not 100% on music it was the "sound" of the album . Its exactly like those punk guys with the mohawks , leather jackets and metal studs........its not really punk , its really "Glam" . Dressing up , dying their hair , styling their hair , having to wear certain clothes . Having to wear their jeans a certain way . They think they are being different "not following the trends" but they are as trendy as the Glam 80's hair bands . They might not look the same as the Big Hair Glam guys , but its the same mentality , they are TRENDY . They are sheep following a trend , and just like a flock of sheep , you look at a group of them and they all look the same like a flock of sheep . Anyways "trying" to look rough tough like a punk , is the same as "trying" to look Big hair Glam Metal . Its the same mentality . Your trying to be "something" and that gets in the way of just being yourself . And thats what I hear wrong with In Utero , its "trying" to be something which is overproduced but in a raw way . Whereas Nevermind , they just wanted to make great music and didn't care what the end result would sound like .
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Post by tonycamphd on Sept 27, 2013 10:32:06 GMT -6
ahh, this brings back memories of me and my bro when we were 12 and 13 years old..... "dude,..any punk band that doesn't just hit the record button on a boombox, is a pretentious, over produced sellout! Yeah, huh huh, i hate pretentious over produced thoughtful stuff, like say...ughh...strawberry fields forever" yeah!.. huh huh The truth about nirvana is they were good, well practiced musicians, and good songwriters, that's why they were successful in the first place. The 80's debacle, set the table for their success, the utterly contrived front of being punk was a choice(conscience or not), and a genius one at that(at least from a financial standpoint), it sold the people who need that sort of theatric social conformation, the justification to join the new clique. That fly's in the face of the so called tenets of "punk" straight away. Sad irony, the fanfare it attracted, seemed to be a big part of what made Kurt so miserable? IMV, the whole "punk" thing is a fraud anyway, human nature dictates, everyone wants to be successful, from serial killers to saints, punkers pretend(pretentiously?) they hate that sort of thing good music is good music, nirvana started simply as creative guys in an aggressive rock band, to bad all the BS critiquing and societal pressures from so called fans, couldn't allow them to just be that, a great rock band, with the freedom to evolve as they saw fit. Maybe an older, wiser Kurt would have realized it was all a crock of shit, and graced us with his presence for a little while longer? sorry about the overproduction on this post edit; to be clear, this is not directed at anyone specifically, it's an observation/opinion i've held for a very long time
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Post by scumbum on Sept 27, 2013 12:11:45 GMT -6
good music is good music, nirvana started simply as creative guys in an aggressive rock band, to bad all the BS critiquing and societal pressures from so called fans, couldn't allow them to just be that, a great rock band, with the freedom to evolve as they saw fit. Yeah I agree . And this sums up with what happened with In Utero . Instead of just being themselves making music "they" liked , they allowed the fans , media , dictate their music . Suddenly when they got popular they started to cross the "cool" line into being "uncool" and mainstream . So instead of saying , f you , its all about the music and I don't care what everybody thinks , like what most punk bands try to pretend to do , when really they care a WHOLE LOT about what other people think about them , so much so that it dictates their music . Nirvana goes and has to try and prove they are still "cool" and "punk" . In turn , the music has to suffer because its not really coming from the heart any more , its motive is trying to prove they're still cool . Now I'm a big punk music fan . Thats my favorite music and Nirvana is one of my top favorite bands . Its this whole damn gotta be "cool" gotta be "punk" gotta be "raw" , thing that gets in the way of ALOT of punk bands and it ruins music from really coming from the heart .
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Post by IamJohnGalt on Sept 27, 2013 12:14:43 GMT -6
I wouldn't say it was duplicitous at all. He was not trying to be deceptive. The letter does indeed "express his modus operandi" which was one purpose of the letter. Other purposes of the letter were: 1. To get the gig 2. To make the record at Pachyderm 3. To get a good price Mission accomplished on all fronts. There is nothing wrong with any of it. We all have to sell everyday and this letter is a great sell. It is, after all, the music "business". Sorry, your analysis of the letter reminds me of Bill Hicks marketing bit ("Ah, Bill is going for the "angry" dollar..."). I honestly believe that he only wanted to make sure he wasn't getting into what was (and still is) the typical big budget recording scenario (drums recorded first to a click, one by one musicians replace their scratch tracks, etc...) as well as insuring he was working for the band, not the label or managers. I honestly don't think he wanted the gig otherwise. He also states he is willing to record practically anywhere. I don't recall the flat rate he was payed, I think it was mentioned in the Uncut or Mojo article (sorry can't remember where I read it) a few (ok, probably ten) years a go. But I would expect it to be less than others would have negotiated, specially when you take into account he wont take points. He has stated in several interviews that he went broke because of that record and how he was perceived differently by his clients. I've run a recording studio for twelve years. I don't really feel part of the "music business". Most people I deal with are motivated by music. Of course, we all pay rent and need to shop for groceries. I don't disagree with a word you are saying except that my analysis is reminiscent of Bill Hicks marketing. I think his letter was sincere. Like any communication, it was written for a purpose and it worked well. Congratulations for running a studio for twelve years. That, in an of itself, is a great accomplishment. Particularly if you never think of your work as being a business...not that I completely understand how that could be the case. I am an artist but I don't find business inherently negative. Its how some business is handled that can be a problem. Cheers.
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Post by svart on Sept 27, 2013 15:18:10 GMT -6
Heh. I loved Nevermind. I disliked In Utero. I didn't hate it but I thought the music on Nevermind was good and the production fit the music. I felt that the music in In Utero was more like a B side quality and sounded like it wasn't mixed right.
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Post by jazznoise on Sept 27, 2013 16:20:06 GMT -6
To be fair. Bleach, In Utero and the Incesticide stuff all were very minimal in overdubs and recording. Nevermind is the exception in terms of the sheen and number of overdubs. To say that In Utero was anything other than the band being what they'd always been is, well, false. There was definite pressure on the band during Nevermind to make an album that sold as well as Sonic Youth's Goo - that was the premise of the deal. There was noise collages and other stuff for Nevermind that never made it, even in subsequent re-releases.
Not going to "2 deep 4 u" anyone on this but I think this album mostly gets stick for not being pop songs with distorted guitar.
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Post by Deleted on Sept 28, 2013 12:45:57 GMT -6
Hm, i was deeply into grunge that time, and Nevermind did not convince me soundwise at first, but In Utero did, and finally Nirvana got me with it... That time i came from the metal/hardrock side of things, and i really thought that Nevermind sounded a bit thin first and also that the drums did not fit, exactly like jazznoise said. Nevertheless i liked the songs. But In Utero was a different beast. Often people think that the second album of a band is too polished, while in many cases it is simply done more professionally, which is not a bad thing necessarily...
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Post by allbuttonmode on Sept 28, 2013 16:10:17 GMT -6
Both great albums in their own way. Chill, people, chill...
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Post by Deleted on Sept 28, 2013 23:41:51 GMT -6
scumbum and I are on the same page it seems. I think Nevermind is straight forward and In Utero is overproduced. It's not an ultra ironic, hardcore, against the grain for the sake of it sort of thing. I just feel on Nevermind it's a production that took a backseat to the songs and on In Utero we have a production that is certainly calling attention to itself, whether it's working for or against the songs is up to the listener. It's production is definitely hard to ignore and that's why this album sparks debates and lengthy discussions like this.
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Post by Deleted on Sept 29, 2013 1:48:53 GMT -6
This is especially interesting, because it is a bit contrary to the letter of Albini to Nirvana, and I have no doubt that his intentions when producing In Utero were all the best to just make a good Nirvana album and not a Steve Albini album with Nirvana...maybe it just was his fingerprint on the album that generally can not be ignored - if it fits Nirvana might be still up to the listener, but i guess the band itself still had also a huge influence in making the album sounding so different to Nevermind.
I still find these kind of discussions interesting and useful, as long as different opinions stand side by side and everything stays polite and respectful. Sometimes i just like to read opinions and perceptions of others to see a production from different points of view. These are essential problems of producing in this thread's discussion. How to communicate best to the client. Best business practices for producing. When is an album overproduced? What could have been done better? What sticks out? What kind of production does the comsumer like better....etc.etc.
Best regards, Martin
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